

Selected as Editors' Choice and nominated for Best of the Net 2013, read and listen to a couple of my poems.
This was one of my more innovative poems, using the word "green" 32 times within a short period of space. This is practically unheard of in the poetry world. So it gives it due credit, being nominated for the Best of the Net.
Evocative writing makes you *feel* something. This is what I do. It's basically persuasive writing - but with images.
Which leads us to one of my favorite quotes about poetry...
Leonardo da Vinci
Features several of my visual poems, made using Adobe Photoshop and Illustrator.
My poem "Meditate" was chosen as Extract(s)'s poem of the day. Also selected for publication in the 2012 / 2013 Extract(s) AWP Issue print literary journal. Click on each of the images to view up close and read the poem and more.
Dawn, as usual your poetry leaves me with chills. There's a feeling of a specific moment or memory and it brings you into that moment, into that feeling. I have so missed reading your works, and I look forward to being able to read more soon!
A celebration of the collective poetic process, the Million-Line Poem (MLP) is being written, couplet by couplet, by readers and writers around the world, and published online by Tupelo Press.
Each day we post two lines from which contributing poets draw their inspiration.
Participate in the creation of this unique art form as it grows organically.
Your contribution is part of its dynamic synergy.
*Poem is still in progress, as of this publication
or "my origin story"
My first poem was an Acrostic for the word "Hieroglyphics." We had to stay on the topic: Egypt.
So, of course, for the letter "R" I wrote: "Rite Aids are not found here." I was pretty proud of the fact I came up with something for "R," irrelevant as it was, so I volunteered to share my poem in class.
Afterward, the teacher commented on how unusual that line was and how no one else came up with an observation like that.
That was the moment -
I realized I was onto something, my voice wasn't like other voices, and I had *different* things to say. My writing was not like other people's writing!
I was intrigued - and still am decades later.
I've been writing poetry ever since
Fast forward a decade or two and I've made a name for myself on the literary scene and in the poetry circles of New Hampshire.
- that continue to inspire my writing -
It took me four years to paint like Raphael, but a lifetime to paint like a child.
Writing is mostly editing. Edit, Edit, Edit - then edit some more!
As a poet myself, already familiar with poems and how to read them aloud, I easily stepped into the role as Performance Judge for regional and state Poetry Out Loud New Hampshire championships.
I've been involved with Poetry Out Loud for seven consecutive years and I've assisted in several different roles, as needed:
Poetry is not just poetry, it's a frame of mind.
It's thinking in metaphors and making unlikely connections. It's the reason to be concise and to-the-point.
Poetry is an opportunity -
Too many people write poetry. Not enough people *craft* poetry.
Once you're out in the world, it seems like there's no space for poetry, no space to appreciate the tiny beauties of the world like a blade of grass bending or bowing - and not breaking.
I'm a lyrical poet who takes the time to be mindful in a fast-paced world
My poems are evocative in nature and are therefore "easy to see" while reading. They've also been described as "a rapid calliope of images."
My degrees are in creative writing and poetry. I'm a published poet, have been voted Editors' Choice, nominated for Best of the Net 2013, and founded my own writing group.
So, poetry is a big part of my life.
Poetry, writing, and collaboration go hand-in-hand.
Working with others is a privilege and collaboration is an innovative strategy -
I'm used to working on deadline and either deliver on time or a little early. I enjoy the structure that deadlines give me, whether I'm working as an individual or as part of a small group.
My interest in graphic design and digital media started when I was first introduced to Adobe Photoshop in my digital imaging classes many years ago.
Ever since, I've been fascinated by graphic design, typography, and geometric lines - and how to pair them with words.
I've had fun exploring the visual aspect of poems and how the images complement the words, like in my poem "Emergency Room," as featured on the former Tygerburning blog under New Media Poetics.
By reading at unexpected public venues, including the former Green Martini in Concord and in front of a full house at the Music Hall in Londonderry, I've acted as a pioneer and made space for reading poetry in public - to warm receptions.
I've also read a selection of my own poems, and several inspired by my Gram's memoirs, at living history events.
- As inspired by Robert Burns and read with a Scottish accent -
Press play.
Listen to this poem set to music, as is, without the Scottish accent (below).
Press play.
*This is the correct spelling. The common misconception is that it's "guild / guilt," which is not true. The spellings of "gild / gilt" refer to gold as a valuable metal vs. the color or covering of gold on something that's not gold. Kinda like being fooled by someone's exterior and the person they said they were.
Let it be noted, the subjects and topics I write about are not necessarily something I've personally experienced.
A lot of the time my writing is inspired by "zooming in" on an item, an observation, or a concept. Then, I start thinking deeply about it, notice patterns, and make connections which feels easy at that point since I "see" most things as a metaphor. That's rich material for poems!
The judges were a very distinguished panel of local artists.
Lisa Lynch is the Director of the Arts and External Relations for the Women's Studies Research Center at Brandeis University, Lynn Thomson is the Head of Youth and Family Programs at the DeCordova Museum and Sculpture Park, and John Weidman is an international known and acclaimed sculptor.